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Rachel Marsden's Words

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Reflections on life as a curator, researcher and arts writer. Also known as #wordgirl, making books, living with invisible illness and "connecting the dots that people can't see" (Richard Hsu, TEDxShanghai)…

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Tag: Style of the Northeastern New Territories

Research Networking Lab 3 – Culture, Capital & Communication: Visualising Chinese Borders (CCC-VCB)

The main reason I have (been lucky enough to) come to Asia, is for the continuing AHRC funded project ‘Culture, Capital … More

activism, activists, agitprop, Angela Su, Beccy Kennedy, border, borderlands, borders, Cantonese, Capital and Communication: Visualising Chinese Borders, Castlefield Gallery, CCC VCB, CFCCA, China, Chinese, Chineseness, CMP, Community Museum Project, Deleuze, East meets West, EmptySCape, Fanling North, Frank Vigneron, HABITUS, He Xiangning Art Museum, Hong Kong, Hong Kong Polytechnic University, hybrid, hybridity, identity, Jen Wu, Jockey Club, Jockey Club Innovation Tower, Joe Yiu, John Choy, Kwong Lee, Kwu Tung North, Language, Leung Mee Ping, Lu Pei-yi, Manchester, Ming Turner, Morgan Wong, NENT, New Territories, North East New Territories, Occupy Central, Otto Li, Para Site, Para Site Art Space, Phoebe Wong, Pierre Bourdieu, protest, research, rural, scent, scentscape, Searching for the Village of Happiness, Shenzhen, Siu King-chung, social activist, social art practice, SoIL, Style of the Northeastern New Territories, Taiwan, Tina Yee-wan Pang, Today Video Production, Tse Pak Chai, Tsoi Yuen Village, Umbrella Movement, Umbrella Protest, Umbrella Revolution, urban, urbanism, visualising chinese borders, Wang Dong, YMCA, YMCArts, Zaha Hadid

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NOTE: Opinions expressed are solely my own and do not express the views or opinions of my employers. All words and images are © Rachel Marsden unless otherwise stated. Rachel Marsden’s Words is licensed under a CC BY-NC-ND 4.0 License.

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