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Reflections on life as a curator, researcher and arts writer. Also known as #wordgirl, making books, living with invisible illness and "connecting the dots that people can't see" (Richard Hsu, TEDxShanghai)…

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Tag: Face to face

Research Networking Lab 4 – Culture, Capital and Communication: Visualising Chinese Borders (CCC-VCB)

Time for the fourth research networking lab for the AHRC funded project ‘Culture, Capital and Communication: Visualising Chinese Borders’ (CCC-VCB), this time … More

Anping district, Art Square Taiwan, Boat Burning Festival, borderlands, borders, Bywood, C&G Artpartment, Canberra Museum and Gallery, Capital, CCC VCB, Chen Chieh Jen, Chen Po-I, Chen Shaoxiong, Chen Shun Chu, China, Chineseness, Chu YinHua, communication, culture, Disobedient Objects, Donggang King Boat Ceremony, Eleanor Gates-Stuart, Face to face, Formosa, Ho Ming-Kuei, Hong Kong, Hong Kong-ness, Hong Kongese-ness, Huang Yen-Ying, ICID, In the Name of Art - Hong Kong Contemporary Art Exhibition, ink, INK REMIX, ink tradition, Institute of Creative Industries Design, Joanna Hsu, John Choy, Kaori Tazoe, KAT Sugar Refinery, Kio-A-Thau Artist Village, Lu Pei-yi, Mainland China, mapping, Ming Turner, MoCA Taipei, National Cheng Kung University, Nichole Lai, Phoebe Man, Phoebe Wong, Qui Zhijie, Sexy Young Little Pig, Sheu Jeryu, Sophia McIntyre, Sophie McIntyre, Tainan, Taiwan, Taiwanese-ness, The Post-Theatre, Tseng Po-Hao, Urban Legend, visualising chinese borders, Wilson Shieh, Woofer ten, Wooferten, Yang Yongliang, Yao Jui-chung, Yin Hua Chu, Yu-Fang Shang, Zheng Chenggong

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NOTE: Opinions expressed are solely my own and do not express the views or opinions of my employers. All words and images are © Rachel Marsden unless otherwise stated. Rachel Marsden’s Words is licensed under a CC BY-NC-ND 4.0 License.

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